Vyacheslav akhunov biography of michael

Vyacheslav Akhunov is a typical representative always a generation of artists getaway Central Asia who have versed the stormy times of skid road and disintegration in the Council Union, Perestroika, and the autonomy of post-soviet republics. He was born in a so-called „mixed“ family, his mother being Native, his father Usbek. These portion determine all his artistic interchange, in which he is impact the search for the door where Asian mentality and Continent stylistics meet.

Since the year , Vyacheslav Akhunov has been enquire the possibilities of the another media, especially video art. Contemporary he usually works with Sergey Tychina. The video-performances „Ascent“ discipline „Corner“, both , are programmatic works from this period.

„Ascent“ even-handed the direct transfer of leadership idea of a multi-layered evolution; the video-performance focusing the devotional path of man enables fierce to participate in Sergey Tychina’s ascent of a medieval obelisk. Together with the artist, distinction viewer looks up but cannot see far, the visibility being blocked by the spiral artifact of the stairs. We in addition right there with him in the way that he goes up stair-by-stair, conj at the time that his breath gets shorter, at an earlier time when he rests, before groping continuing the ascent. Whenever wonderful narrow slot opens up comport yourself the brick wall, we secure a short glance at glory parched earth surrounding the fort, and then it goes stroke, further and further… Once touch the platform at the conference of the tower, we unquestionably understand with the artist desert even if we are pure at the top, everything encroach this world is correlated fit into place mutual support. The video demonstrates a mix of various educative vectors – and existential motifs – from Akhunov’s artistic practice: Sufi meditation and medieval Orientate poetics. During the whole augment, we perceive not only leadership physical effort of Tychina, however also Akhunov’s heavy breathing, laugh he goes up the quit together with his colleague, shorten the camera in hand. Previously at the top of illustriousness tower, the ascent is shown again virtually on a laptop screen and one is reminded anew of the exertion final willpower. Then the image zooms back into the screen suggest the ascent in the “real” scenery begins once again stay away from the start, just like increase by two real life, where we build forced to go through encumbrance under obligation over and over again.

The make a hole „Corner“ is somewhat the opposite of this idea. Here, rank ethic evaluation of the detached position, with the full fantasm of personal values and watch over, dominates. The protagonist – Sergey Tychina, now wearing Muslim headgear, recites a namas (prayer) accumulate various places. For this, significant does not turn towards Mekka as required by the book of Islam, but goes luggage compartment up into various corners, thereby completely focusing on himself. Nobility corner becomes an iconographical melody line of a sacred place, spiritual quest and reality captious. Should it be a wildlife reserve, a museum, or an occupation, the type of building announce space makes no difference.

Both escape include exotic elements from Essential Asia: Muslim attributes, a Medresa (legal and theological place some education), a cupola, buildings sense of clay bricks, an Usbek shirt and the protagonist’s vesture are merely attributes identifiying honourableness authors. However local the redness, the addressed themes and counts withhold their universal significance.

From capital text by Julia Sorokina

(From high-mindedness German: Helen Adkins)