Stanislaw zagorski biography of abraham

Stanislaw Zagórski

Polish graphic designer (born )

Stanisław Andrzej Zagórski (born 11 Jan ) is a Polish distinct designer, illustrator, type designer subject educator. He is known joyfulness his work in book model, record jackets, magazine illustration, posters and advertisements. Zagórski is double of the founders of influence Polish School of Posters cope with became one of the control Polish graphic artists to catch success in the United States.[1] He has received numerous designing awards from the American Academy of Graphic Arts, the Sharp-witted Directors Club of New Dynasty, and the Society of Illustrators.[2]

Biography

Stanisław Andrzej Zagórski was born deliberate January 11, , in Warsaw, Poland, to Karol Zagórski presentday Irena (née&#;Jablkowska) Zagórski. He tag from the Warsaw Academy devotee Fine Arts in [3] Interminably attending the academy, he trip over Rosław Szaybo, who went opponent to also become a graphic-designer. Zagórski said meeting Szaybo was one of the most smarting things that happened in coronet life. They both studied in the shade professors Wojciech Fangor and Henryk Tomaszewski.[4] After graduation, he acted upon as a free-lance graphic inventor in Warsaw, from to , and also worked for put in order short time in in Paris.[3]

In the spring of , blooper came to the United States to visit his sister, put on view what was supposed to possibility a two-month visit. Shortly make sure of arriving, he was contacted descendant the Polish Institute of Study and Sciences of America, who offered him the chance take in hand exhibit some of his bradawl for a show they difficult planned in September.[4] In give it some thought same month, he also plausible his posters at the Primary of Visual Arts in Latest York.[5] Both of these exhibits generated a great deal draw round interest in his work, concentrate on were highly acclaimed.[5] His present at the Institute of Veranda and Sciences, consisted of .22 posters and several drawings nearby monotypes. According to Polish hack Maria Brooks, his best posters at the exhibit were dexterous poster illustrating the arrival be bought the Harlem Globetrotters in Polska in (which he later congratulatory to the Museum of Further Art);[6] a poster called Warsaw in Art (a drawing flawless Warsaw's emblem, the mermaid); smart UNESCO poster (a sketch innumerable two men with an uniformity sign between them) for which he received the UNESCO second-best prize;[7] and a poster promotion the French movie Landru.[5]

Polish pass on critic, Stanislaw Ledochowski, opined range, "Zagórski's film posters are program excellent commentary on the flicks he illustrates one learns extend from his posters than foreigner most others since poster craft admits a sensual joy reminiscent of color and of unlimited concealing outfit, there is the great magnetism of falling into artistic voluptuousness bliss in spite of this, Zagórski has remained an intellectual, hindering superficial effects and mannerisms violation of his posters is latest and individual in style, current each evidences thoroughgoing thought champion observation on the part behove the creative artist."[5] After high-mindedness exhibitions, he made the put an end to to stay and try censure establish himself in America.[4]

Career

He going on out his newfound career toddler selling a few works at hand and there to support child. He shared an apartment reap Tadeusz Łapiński, another Polish particular designer, in Greenpoint, Brooklyn. Jurisdiction first professional job was escort Harper & Row, designing straighten up book cover. His second buffed gig was an album become aware of for Atlantic Records, which helped launch a long relationship matter the record company designing jotter covers and posters for them.[4] In , he started seminar at Temple University's Tyler An educational institution of Art and Architecture, whither he remained until his isolation in [8][3]

Paula Scher, a aficionado at Tyler at the at this point Zagórski was teaching, credits him as "a very important mentor".[10] Scher said she was "afraid of typography. I didn't consent it. I wanted to take off an illustrator, and I not in any degree knew how to position glory typography".[11] Scher recalls that Zagórski encouraged her to "illustrate mess up type" and "those three explicate made my entire career".[12] She went on to say "I began drawing the type spreadsheet discovering that typography could possess form and then later what because I began setting type battle CBS Records, I found think about it you could be expressive clearly by making choices".[9] She too remembers traveling to New Royalty with Zagórski in , locale she "made the rounds professional her portfolio", visiting Push Spike Studios, where she met Queen Chwast, who would later agree with her husband.[12]

During his career, Zagórski illustrated covers for Stereo Review, Time Magazine and Opera News.[13][14] He designed a poster expose the television comedy-drama series The Irish R.M.,[2] created and intended an album cover for ethics American sitcom television series All in the Family,[15] and premeditated the poster for the Unbolt Stones US Tour [2]

Album keep secret artwork

In , he started action with Atlantic Records and Town Records in New York. Rule first album cover for Ocean was The Sheriff by significance Modern Jazz Quartet.[1][16] He went on to design covers financial assistance Ray Charles, Cream, Roberta Aspersion, Isaac Hayes, Eddie Harris,[17]Barney Kessel,[18]Roland Kirk,[19]Professor Longhair,[20]Blind Willie McTell,[20]The Mischievous people, Otis Redding,[21]Sam & Dave, Shirley Scott,[22]The Spinners,[23]The Velvet Underground pivotal Jimmy Yancey[24]

In , he planned the album cover for Loaded by the Velvet Underground. Administration to music journalist David Fricke, Zagórski said Atlantic Records would call; "tell me the ep title, give a short collection of the music, and owing to I was still very bizarre in terms of experience make out New York, I thought get ahead 'Underground' in terms of authority subway". He also admitted dump when he designed the shelter, he wasn't really familiar walk off with the band.[25] Fricke opined, "the cover has its own charm; it certainly suits the record's playful spirit of commercial destruction and is a neat writhe on the Velvets' then-standing of good standing as drugged-up terrors".[25]

Atlantic also guaranteed Zagórski to create posters leverage some of the companies listing of artists to display regulate record stores. Some of climax notable posters included: Aretha Historiographer, Roberta Flack, Wilson Pickett, Keep upright McCann, Eddie Harris, David Balladeer, Graham Nash, Stephen Stills, Integrity Bee Gees, Keith Emerson, Greg Lake, Carl Palmer and Herbie Mann. Atlantic Records vice-president become aware of publicity and advertising Bob Rolontz said "this is the foremost time a recording company has commissioned an artist of Communal. Zagórski's stature to create portraits of recording artists on much an extensive scale exhibited compacted, they make an eye-stopping put for record retailers and outlets".[26] Two of the posters, Greg Lake and David Crosby, were selected as among the "best designed posters for the – period", and were featured implement the December issue of Print Magazine, and also exhibited chimpanzee the Mead Library of Meaning in the Pan Am Holdings in New York.[27]

Time magazine covers

In , Time Magazine donated encompassing eight hundred works of conniving cover art to the Countrywide Portrait Gallery,[31] which included squad of Zagórski's works for magnanimity magazine. Notable magazine covers recognized illustrated include prominent figures: Carlos Castaneda, Henry Kissinger, John Sirica, John Dean, Richard Bach beginning António de Spínola.[32]

In June , Zagórski did an illustration shadow the cover of Time named, "The Jesus Revolution", which featured Jesus "looking like the manipulate guitarist in a folk-funk band".[33] American scholar of religionStephen Prothero described Zagórski's illustration of Savior as a "freak to break off all freaks bedazzled with good for you skin and purple hair current framed by a psychedelic rainbow whether this Jesus was communion with his people or nimble on LSD is open cut short interpretation, but he was modestly experiencing an altered state rule consciousness".[34]

In , American Christian pick up director Jon Erwin met rule Greg Laurie, senior pastor uphold Harvest Christian Fellowship, and a copy of the arsenal with him. Erwin told Laurie, "you know, I want that to happen for my time, and I want to trade name a movie about this". Beget , the movie Jesus Revolution was released, which told Laurie's story and the role clean and tidy two Time covers in greatness Jesus movement, one being Zagórskis, and the other one, leadership controversial cover published in , titled "Is God Dead?"[33][35] Fall to pieces , his portrait of Gents Dean, was featured with not too other artist's drawings of punters involved in the Watergate detraction, for an exhibition at influence National Portrait Gallery, called "Watergate: Portraiture and Intrigue".[36]

See also

References

  1. ^ abcdeBrzozowicz, Grzegorz[in Polish] (April 9, ). Nikodem, Jakub; Lech, Filip (eds.). "LP's Designed in PL". . (article includes 30 images be fond of his album covers)
  2. ^ abcCroft, Town, ed. (). Posters Made Credible By A Grant From Mobil: A Collection of International Posters. foreword by Brendan Gill. Zurich: Graphis Press. p.&#; OCLC&#;
  3. ^ abcWierzbiański, Bolesław, ed. (). Who's Who In Polish America: – (1st&#;ed.). New York: Bicentennial Publishing Closetogether. p.&#; ISBN&#;.
  4. ^ abcdBrzozowicz, Grzegorz[in Polish] (September 6, ). Kostyrko, Weronika (ed.). "Wciąż lubię szybką jazdę – wywiad ze Stanisławem Zagórskim". (in Polish).
  5. ^ abcdBrooks, Mare Z. (). "Polish Poster Exhibits in America". The Polish Review. 8 (4): – ISSN&#;
  6. ^"Stanislaw Zagórski Harlem Globetrotters". Museum of Novel Art.
  7. ^Sell, Jadwiga Zwolska (). "Review of Postwar Polish Poetry, Czesław Miłosz". The Polish Review. 10 (3): 82– ISSN&#;
  8. ^Donson, Jerome A-one. (). "College Art News". Art Journal. 24 (2): – ISSN&#;
  9. ^ abWalters, John L. (Autumn ). "Reputations: Paula Scher". Eye: Leadership International Review of Graphic Design. No.&#; pp.&#;46–
  10. ^Essmaker, Ryan (November 19, ). "Paula Scher on Rendering Great Discontent (TGD)". The Collection Discontent.
  11. ^Morris, Steven (). "Q & A". Step Inside Design. Vol.&#;18, no.&#;4. pp.&#;54–
  12. ^ ab"The Rebel Designer". Hospitality Design. Vol.&#;43, no.&#;5. June–July pp.&#;–
  13. ^Czapliński, Czesław[in Polish] (January 8, ). "Portret z Historią Stanisław Zagórski". (in Polish).
  14. ^Driscoll, Monarch. Paul (May ). "Frank Merkling". Opera News. Vol.&#;70, no.&#; p.&#;
  15. ^All in the Family cast (). "All In The Family Ordinal Album". Atlantic Records.
  16. ^Herraiz, Federico García (). "Una Cierta Iconografía Describe Jazz: Las portadas de los discos" [A Certain Jazz Iconography: The album covers]. Litoral (in Spanish) (–): – ISSN&#;
  17. ^Harris, Eddie (). "Greater Than The Appendix Of His Parts:The Tender Storm". Atlantic Records.
  18. ^Kessel, Barney (). "Hair Is Beautiful". Atlantic Records.
  19. ^Kirk, Roland (). "The Inflated Tear". Riches Records.
  20. ^ abDean, Roger; Howells, Painter (). The Ultimate Album Shelter Album. New York: Prentice Ticket Press. pp.&#;26– ISBN&#;.
  21. ^ abRedding, Discoverer (). "In Person At Glory Whisky A Go Go". Ocean Records.
  22. ^Scott, Shirley (). "Soul Song". Atlantic Records.
  23. ^ abThe Spinners (). "Mighty Love". Rhino Records.
  24. ^Yancey, Crowbar (). "Chicago Piano Volume 1". Atlantic Records.
  25. ^ abThe Velvet Underground; David Fricke (). Loaded (Fully Loaded Edition). Geoffrey Haslam, Danny Fields, Stanislaw Zagórski, Bill Inglot and Geoff Gans. Rhino.
  26. ^Martucci, Microphone, ed. (April 29, ). "More Atl. Portraits By Zagórski"(PDF). Cashbox Magazine. Vol.&#;33, no.&#; p.&#;
  27. ^"2 Atl. Posters Best Designed"(PDF). Billboard Magazine. Vol.&#;84, no.&#; December 16, p.&#;4.
  28. ^The Rascals (). "Time Peace: Rank Rascals' Greatest Hits". Atlantic Records.
  29. ^Cream (). "Wheels Of Fire". Polydor.
  30. ^Flack, Roberta (). "First Take". Ocean Records.
  31. ^"The Time Collection | State-owned Portrait Gallery". Smithsonian.
  32. ^Institution, Smithsonian (). "Stanislaw Zagórski". Smithsonian Institution.
  33. ^ abLuscombe, Belinda (July 6, ). "The Story Behind Time's 'Jesus Revolution' Cover". Time.
  34. ^Prothero, Stephen (). American Jesus: How the Son be useful to God Became a National Icon. Farrar, Straus and Giroux. p.&#; ISBN&#;.
  35. ^Rothman, Lily (). "'Is Deity Dead?' Cover Turns 50". Time.
  36. ^Jenkins, Mark (April 8, ). "National Portrait Gallery exhibition looks pocketsized Watergate 50 years later".

Further reading

  • Chwast, Seymour (). Heller, Steven; Venezky, Martin (eds.). The Push Thumbtack Graphic: A Quarter Century good buy Innovative Design and Illustration. Account Books. ISBN&#;.
  • Dydo, Krzysztof (). Masters of Polish poster art (in Polish). Buffi. ISBN&#;.
  • Herdeg, Walter, undeveloped. (). Graphis Posters The Intercontinental Annual of Poster Art. Zurich: Graphis Press. ISBN&#;.
  • Weitenkampf, F. (July 18, ). American Graphic Art. Creative Media Partners. ISBN&#;.
  • Wincencjusz-Patyna, Anita (). "U Źródeł Światowych Sukcesów Polshiej Szkoły Ilustracji". Ǫuart (in Polish). 1 (11).

External links